As part of the Digital Strategy for IBPOC Artists and Arts Organizations Digital Strategy Phase II, my collaborator, Sean Lee, and I lead an educational session that charted the emergence and swell of the Deaf and Disability Arts sector in Canada, and what it looks like to not only curate disability arts, but to develop the cultural aesthetics of access.

We include a brief overview of disability arts in Canada, current and future approaches to accessible curation, inclusive approaches to marketing, and communication as a tool for building community.